The second monthly email communication from my studio… ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏

Sheila Metcalf Tobin

 

Drawing Connections

 

Truth be told, I procrastinated for years before finally committing to send out a regular newsletter last month, so, you can imagine my surprise when I realized, in those first moments after hitting 'send,' that I had just inadvertently created a structure for my studio practice – an unforeseen way to become regularly accountable to my drawing and writing practices and even prioritizing exploring new landscapes. Hmm. The thing I had felt so unsure about has transformed into something that can help me prioritize what I really want to be doing myself and my time. Well, I’ll be damned. I hope you all will find something here that feels useful or generative for you and what you love. 

This new monthly practice has also helped me to get back on the path of following a larger vision to build a deep and diverse collection of drawings depicting the animals, plants and insects.  I imagine this as a library of sorts, where each species adds another facet to the visual vocabulary for the stories I am compelled to tell – stories that explore the genuine connections I witness and learn about, as well as the imagined relationships that arise through play and ideation. Each drawing represents and individual form of life and my plan is that through reproduction processes like the printing of archival prints on paper or wall decal fabric that I can work with my own imagery to create intricate and immersive works of art that bring to life both real and imagined narratives of connection.

It is all too easy to get thrown off track so I am very grateful to have this new form of sharing my work that provides a way to measure and share progress overtime. Over the next several months I will be organizing the drawings and stories of the species I have already drawn.

 

New work in progress: White Tailed Deer, Colored Pencil and Pastel on Plywood Panel

 

I often have experiences with animals and sometimes plants that feel significant.  Sometimes these encounters feel like gifts of beauty, sometimes like messages or signals and I feel an obligation to honor them.  Drawing is for me a profoundly beautiful way to spend time with and get to know my subjects. In the first days after sending out April's newsletter, I felt an opening, a reason to begin and started looking for images to work from. The white-tailed doe has been on the my need to draw list for some time now. I found a beautiful reference photo by Thomas Park on Unsplash. The initial drawing began with a gestural sketch to lay out the whole figure. I video recorded the intial hours of the drawing process that followed and posted a small sample on my News and Events page. I began writing the story of the encounters that led to this drawing in September 2023…

I have passed the still lifeless form of a deer on the side of the highway too many times while driving back and forth between my mother’s home, the hospital where she is recovering after a fall and the assisted-living facility I am in the process of moving her into.  It’s always disturbing to me to see the bodies of animals strewn about or worse on the roadside. It seems so unfair that we’ve taken over so much of the land with roads that interfere so significantly with the movement of other species. The deer’s body was a difficult reminder of the tragedy of these consequences and triggered the grief I’ve been holding as I manage the obligation of caring for my mother since she was diagnosed with dementia in late 2019. For the last several days I’ve been going through my mother’s belongings deciding how to furnish her room. Yesterday as I was loading another car full of her furniture to continue setting up the space that will be her new home, a fawn jumped the neighboring fence and ran through the land immediately surrounding the house. I didn’t see, couldn’t locate the mother if she was there. Later, as I was driving the car loaded, I noticed a pair of female deer that were trying to cross a very busy stretch of a two lane road from a narrow wooded corridor . I stopped for them, but they turned and ran back into the trees.  Looking into the rearview mirror, I saw them attempting to cross again, hesitate and return to the woods. I had to pull over and turn around. I felt I had to help them if I could. As I was headed back towards them they made another attempt. I slowed and stopped, halting traffic behind me, waving my left arm out of the window and flashing my headlights to try and get the oncoming traffic to stop as well, hoping to create an opportunity for the two to cross safely. The oncoming traffic did not slow enough and they turned away again. I slowly started moving forward again and pulled over just beyond the wooded area to wait. I needed to see them cross. I sat watching for a few minutes until the traffic paused and one of the deer came out to test the crossing. She cautiously pawed at the road, bent down her head, seeming to smell its surface, raised her head again and turned to glance back at her counterpart. They moved together to wearily cross the pavement and made it safely across, disappearing into the opposite tree line.  The two of them were for me a representation of the two of us, my mother and I. I am the doe guiding the way, testing the road as I try to lead her to safety. 

This small experience of feeling compelled to do something, then stopping and at least trying to do something is a microcosm of the persistent need I feel to witness and understand the vulnerable beings around us.  My work revolves around this need and I am trying to learn how best to take action. For now, I am continuing to draw as well as  make my way through the book I mentioned finding last month, “Crossings, How Road Ecology is Shaping the Future of Our Planet” by Ben Goldfarb. So far it’s fascinating and informative, relaying poignant stories about the origin of road ecology and all the human efforts that have gone into trying to create safe passage for animals almost since the very first roads were constructed.  

 

In case you missed last month’s letter…

Tue, Apr 15

April News

 Hello All!

I’m excited to be sending you the first email of a new monthly email communication sharing news and events related to art and the environment. In other words a newsletter. Each month I will

 Read More 
 

Continued work in progress on the Barn Owl…

Rendering the Barn Owls gorgeous plumage…

Accentuating the wood grain and shaping the form of the Valley Oak…

Adding the full moon…

Developing the deep blue dusk of the sky…

 

This month’s newly explored landscape…

 Black Diamond Mines Regional Preserve 

A few weeks ago I was out in Pittsburgh Ca dropping off my youngest to a half day workshop. I had several hours to fill so I went looking for a spot to walk with our dog Quincy.  I used Google search to locate possibilities nearby and noticed the Antioch Dunes Regional Wildlife Refuge which sounded like a great adventure. We made our way there only to find it fenced off and closed to the public.  Another Google search yielded results including Black Diamond Mines.  I’d heard of this one and had wanted to visit so off we headed in another direction. I was thrilled as we made our way down the long and narrow approach into the park. I absolutely love California’s rolling, Oak dotted hills and this park allows you to be fully surrounded by their beauty.  We didn’t have much of the morning left to explore but we did get to spend a few beautiful moments on the trails and hope to get back out there again soon. 

View of a gorgeous hillside within the Black Diamond Mines Regional Preserve

Valley Oak loaded with Oak Galls in the visitors center parking lot within Black Diamond Mines

Milk Thistle, Black Diamond Mines

 

Fostering Hope…

The button below links to an article from the World Population Newsletter about Rewilding efforts across the world.

 Rewilding the Planet: Nature’s Quiet Comeback  

Taking Action…

I follow an organization called wildlifeforall.us on Instagram and just saw today that they are encouraging people to take action by adding a public comment in an effort to Protect the Endangered Species Act from the rollbacks proposed by the Trump administration. You can submit your own comment to the Fish and Wildlife Service. They are accepting public comments until May 19, 2025.

 

Thank you so much for reading!

I’d love to hear your thoughts and/or your stories of what you are encountering in your own adventures.

 

I gratefully acknowledge that my studio in South Berkeley is located on the unceded territory of the Chochenyo Ohlone people. I recognize their deep and enduring connection to this land and offer my sincere respect to their ancestors, elders, and community members today. As a way to give back and honor this land, I am proud to donate a percentage of every sale to support Indigenous communities and their cultural preservation and self-determination efforts.

 

Sheila Metcalf Tobin

1333 Derby St. , Berkeley, CA, USA

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